30.3.16

Origami Meditation


Among the many things you resign to your utopian bucket list, to pick up a hobby and to meditate often feature in our I-don't-have-time-to-smell-the-flowers-or-my-sucky-cappuccino life. Images of either clichéd dance & music classes or dorky philately are conjured in both, the writer as well as the reader's mind. Sorry to break it to you, love, hobbies don't work that way, meditation doesn't come that easy.

I've lately discovered that people in pain, or suffering some kind of catharsis often turn to work, or some kind of physical activity outside of work to keep them distracted. I was in doldrums too, about three years ago, when socialising or any kind of recreation seemed like too much work. So I signed up for a play-reading group that met once in three weeks to a month on a Sunday afternoon. Not enough to keep me from plunging deeper into the murky abyss of negativity and pessimism and a general lack of productivity.

I took to watching tv series on my laptop for a while, but that would only lead to more late nights, a wandering mind, and restlessness. On one such evening when my binge watching session was preceded by Facebook prowling, I stumbled upon Aziz's profile picture on Facebook back then (below).



Of course, what you see in the picture is a highly complex and skilled piece of tessellation that I might hope to achieve in perhaps the next decade. However, it inspired me to pick up a square piece of paper and start folding. In less than a week, I had a whole shelf dedicated folded paper animals, since those most fascinated me - a yellow elephant shared the corner with a centaur and a pegasus and a cat and a bird and even a turtle...

I later discovered a hole in the wall stationery shop on one of my jaunts out from Bandra station. This was the big break, for now I found paper specifically made for the purpose with vivid prints and textures so the folds would hold and not disintegrate.




The peacock that Mr Gandhi taught me
Soon I felt the need to inject some method into the madness that origami had become for me. since I was already on Meetup, I looked up the forum for contact groups that met regularly nearby, to learn certain folds better and explore the possibility of getting better paper, but alas, in vain. Then I remembered Aziz mentioning Origami Mitra, the group that met in Dadar.

At the end of that wonderful afternoon learning what paper to fold, and being presented with a peacock that Kamlesh Gandhi folded for me, he asked - "how did you know about us?"

A year before that afternoon, I had organized my first storytelling session for Pratham Books in September 2012. To make things more interesting for the kids, I asked Aziz if he'd be willing to conduct a basic origami session. Unfortunately, he was on the road, but recommended Himanshu Agarwal from Origami Mitra, and that really is where my tryst with the craft began. The wonders of turning any monochromatic piece of square (sometimes not even!) paper into (almost) any shape you desire!

The classic swan by Mr Kamlesh Gandhi
In my conversation with Mr. Gandhi, he told me about the origins of Origami Mitra. The entity was founded by the grand daughter of Lokmanya Tilak and a few friends in the late 1980s. Members range retirees, homemakers, and young students alike. A math teacher, regular at the fortnightly OM meetings, gives tangible form to math through origami. A couple of kids and young mothers and craft teachers were part of the motley that day too. Gandhi himself also deals in paper for origami folding among other things.

Apart from these meetings, Origami Mitra conducts marathon day-long sessions and annual exhibitions as well.


Most dismiss the art as a kids thing, but if the scale of international championships and convention events are anything to go by, both, the process as well as resultant models are nothing short of serious business!

My first real attempt was the Yoshizawa Butterfly and then a Fumiaki Kawahata Elephant and a frog. Easy it isn't, but if you're up for a challenge - John Montroll's giraffe that Himanshu and his 12 IIT-B student mates accomplished in 103 moves and 70 creases would be the standard to surpass. There are as many layers of study to the paper-sculpting hobby as to any other that one might take up. The world, largely divided into designers and folders.

My first folds

But how do I classify it as meditation?

Having trained in Hindustani Classical music, the level of precision involved in achieving the perfect final product is high. Not only does it require one to concentrate, but also be nimble handed and patient. I remember a dry throat and aching thumb when I attempted my first bat. Obviously I was jumping the guns, and eventually gave up in absolute frustration. But the multiple fold-imprinted paper occupies centrespace in my closet as a constant reminder that I must keep trying, and strive to get there someday, soon. The list of personality traits necessary to dive deep into the mesmerising realm of origami don't end there. You need at least a basic aptitude for symmetry, if not geometry, and the ability to judge the right kinds of paper - much like an editor's obsession with grammar - the instructor at my Origami Mitra session, Geeta ben threw a fit when she saw my marble paper!

 Origami frog tutorial

Kirigami cards at Temple Street, Hong Kong
The gathering at the Origami Mitra meet up felt more like a disorganised tuition class, chaotic and distracted. And that first visit was already the death knell to any subsequent visits. YouTube has proved a useful platform for learning, exploring the same methods in better detail, and of course discovering new designs and tutors in the comfort and confines of one's own room or office or even a commute. Finding funky craft paper was not a challenge, but I grew ambitious. Now I wanted various kinds of paper that would lend itself to more fluid designs.

Bestie, Twara's demand, a little sunny snail
So I asked a friend in Kuala Lumpur if he was to return any time soon. Not only was he confused trying to look for the right paper, he was also boggled by the sheer variety. He simply gave up. On my recent visit to Hong Kong however, it didn't occur to me to look for some myself, though I did stumble upon a roadside Kirigami card seller at Temple Street.


A photo posted by pu (@bombaychuddies) on


I have since experimented with with quite a few designs and even been to a few exhibitions. But as old Prof. Salat at MSU as well as Prof. Ashok at EFL said, you have to internalise to remember for posterity, to pass on these precious pieces. And so I decided to parse the folds. I practised and practised till I could remember the butterfly, the classic crane and some varieties of boats. however, I leave you here with my little zoo!

A photo posted by pu (@bombaychuddies) on




A photo posted by pu (@bombaychuddies) on


17.3.16

Up In the Air

I derive some inexplicable pleasure in choosing the emergency exit seat on flights. A lot of people find it restrictive: you can't keep your hand bag on you, you can't shut the window on a sunny afternoon, you can't recline, you can't keep your tray table open for too long, your seat belt needs to be clutched at all times, and the barrage of bondage is endless.

Several others though, especially the particularly long-limbed, count the merits of the emergency seat. 'So much legroom!' they argue to silence the naysayers.

But my reasons, even I do not know.

The standard set of mandatory special instructions arrive in the form of an extra pleasant air hostess - one who will smile, not scold, and almost sympathize with just how many times you must have to put up with this routine, yet lend her a patient ear. She can see that I come prepared: no luggage in hand or under the front seat, no reclining, no fussing about the sunlight. In medical terms, I'd be the ideal patient. Patient, practical and reasonable.


This window seat invariably distracts me from my book, even if I've flown to or from the same airport several times. The colours, shapes, markers of the wider landscape surrounding it, especially those that change rapidly whilst developing the city's outskirts, make me wonder what motivated the change. A farmhouse property outside the city periphery below the wing of my plane still flying rather low on this high visibility Monday afternoon shows chunky wooden garden chairs and a trampoline and a single storey with canopies on all sides widely spread on the property. The colours belong distinctly to the retro circus family - white, red, yellow, cobalt, mint...

I spot another estate not too far away with a remarkably vast lawn and a single white (presumably) cane pool-side recliner in one corner. It presents a picture perfect frame from up here. Of tasteful affluence, of awareness about the good things in life.

The flight climbs higher in altitude. We float above the occasional little bursts of snow white clouds dotting the blue filter, beneath which one can still make out land demarcations rather vividly. Then my gaze stalks the swiftly changing palette from ground to horizon to the sky above.

'Sky blue', the hue we've all grown up referring to lighter shades of the primary colour, has, one realises from this intimate distance, a perceivably powdery texture. It is not as pale as the chalk in your wax crayons box. It is so much more intense and bright. It has the authority to lay down its cards yet not allow you a varied perspective. It's all the same beyond this point, it seems to affirm. Yet I can't quite pinpoint the particular angle at which one might look and decisively state, from here the sky appears constant.

I also think this preference for the emergency seat comes from my lack of tolerance for bullshit. Can you imagine the hazard someone fussy and idiotic might cause in a situation that requires helping, thinking on one's feet, and exiting from here?





I'd probably end up yanking the person out of the aisle and flinging him or her to a place of no hope. Perhaps even stabbing such an imbecile. I reckon I'm doing a lot of passengers just a huge favour- taking one for the team, as it were.

A perk of extra leg space for the average tall Joe or Jolene, well it just sweetens the deal for this superhero.

7.3.16

Navsari

​Navsari, a nondescript little town en route the Western Railways main line, a station between Valsad and Surat, native to many a Parsis and as many Gujarati Jains, the closest rail to Dandi - where India's first realisation of freedom was spelt. The place where I discovered Gujarati gastronomical wonders such as લસણીયા બટાકા, cheese butter masala, Budhiબેન ની ચા and the array of delicacies waiting to put you in a culinary tizzy at Lunsi Kui.

Since that first time in March 2012, it's also been a town, which I've met more people who call home in some form or another. A past that is more resistant to change for fear of losing its heritage than for fear of change itself. An ethos so full of purpose for the causes it had supported so far, and promises to carry forth through generations to come, quietly, but resiliently.

Unlike bigger cities of Gujarat, Navsari has steadfastly spat in the face of bulldozing development, even when its excavators and concrete slabs prevailed, almost as if echoing the sentiment of the man who broke the salt law not farther than 14 km away. It has not cowered in the wake of modern political oscillation. It has shown the middle finger to Bombay.

Then again, it has opened its arms to embrace Bombay's injured and inebriated.

Navsari opens its arms to embrace Bombay's injured and inebriated



And then Navsari comes to Bombay. And it says, you folks don't know how to live; I don't blame you for not singing here in your open voices, and not throwing back your heads uncontrollably when you laugh helplessly; આવ, હૂં તને પમ્પોળું; આવ તને વ્હાલ કરું અને પ્રેમ આપું; તારી ચિંતા અને કદર માં તને વઢુ અને સમજાવુ (come let me caress you, let me give you my affection and love, in caring for you and appreciation, let me scold you and teach you).

I've written about it before on this blog as a place of music, a short drive to the beach, and as the childhood nurturer of my friend, Veeram. Navsari belongs to anyone who wants to be Navsari, really.  In that, Navsari is a sanctuary that is independent of its geography, its people, its old architecture and meandering lanes. Hell, it might be a town with few or no opportunities, but where loans and debts are not equated to sustenance or sustainability. Patience and perseverance get you there.

You can check out any time you want, but you can never leave
If you want to be (in) Navsari, you needn't even take that four-hour train ride, for it is not some memory stamped on your heart or nostalgia.

Navsari is a state of mind. To achieve it, you must be honest to yourself constantly.

And then you enter the realm of the real and the realistic. Then even your tiny hole-in-the-wall-like room in the queen of Bombay's suburbs would feel like Navsari.

Navsari is like that. You can check out any time you want, but you can never leave.